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”ジャン・リュック・ゴダールとロベルト・ロッセリーニを「映画を破壊した大犯罪人」と評している。これは「彼らが素人でも映画が撮れると勘違いさせるような映画を撮ってきた」ことにより、プロ意識が欠乏したエピゴーネンがその後多く誕生したことを指摘した...
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